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THE PERCEPTION AND IDENTITY OF THE CULTURAL CONSUMERS TO QIN OPERA: A CASE STUDY OF ‘YISUSHE’ AND ‘SHAANXI TRADITIONAL OPERA INSTITUTE’ |
ZHANG Jian1,2, WEI Qian-ru2, RUI Yang2, LI Tong-sheng2 |
1. Institute of Silk Road Studies China, Northwest University, Xi'an 710069, China;
2. College of Urban and Environmental Sciences, Northwest University, Xi'an 710127, China |
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Abstract With the constantly deepening of theoretical construction and empirical studies in cultural geography, Chinese cultural geography scholars pay more attention to the diversity character research, as well as the content of the research is increasingly richly and delicate. Aimed at the exploration of cultural space, the traditional research that includes cultural divisions on macro-scope is transforming to micro space culture analysis, by the means of spatial metaphor, the micro space has been used as a carrier of social relationship to explain the culture construction function of spaces. The actively exploration of the perception and identity in cultural exhibition spaces is of a great value to deeply extend the research of spatial culture's metaphor and reappearance of cultural geography. The Qin opera is an important component of the local cultural landscape, and it has important research significance. This study that based on micro-scale analyses the difference in perception and identity difference by choosing two representative theaters in Xi'an:Shaanxi Traditional Opera Institute and Yisushe. Cultural consumers give three levels of perception and identification on two different types culture micro space. The result indicates that Qin opera exhibition space plays a great role on delivering and expressing the regional characteristics, function and significance of regional culture.
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Received: 26 January 2017
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蔡晓梅,朱竑,刘晨.情境主题餐厅员工地方感特征及其形成原因——以广州味道云南食府为例[J].地理学报,2012,67(2):239-252.[Cai Xiaomei,Zhu Hong,Liu Chen.Characteristics and causes of situational theme restaurant staff's sense of place:A case study of the Taste-Yunnan Restaurant in Guangzhou[J].Acta Geographic Sinica,2012,67(2):239-252.]
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谢晓如,封丹,朱竑.对文化微空间的感知与认同研究——以广州太古汇方所文化书店为例[J].地理学报,2014,69(2):184-198.[Xie Xiaoru,Feng Dan,Zhu Hong.The perception and identity to the cultural micro-space:A case study of Fangsuo Commune in Tai Koo Hui,Guangzhou[J].Acta Geographica Sinica,2014,69(2):184-198.]
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张健.明清陕西商贾流寓与扬州秦腔文化流行区[J].中国历史地理论丛,2011,26(2):77-88.[Zhang Jian.Shaanxi businessmen' sojourn and Qin Opera pop-culture in Yangzhou in Ming and Qing dynasty[J].Journal of Chinese Historical Geography,2011,26(2):77-88.]
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蔡晓梅,朱竑,刘晨.情境主题餐厅员工地方感特征及其形成原因——以广州味道云南食府为例[J].地理学报,2012,67(2):239-252.[Cai Xiaomei,Zhu Hong,Liu Chen.Characteristics and causes of situational theme restaurant staff's sense of place:A case study of the Taste-Yunnan Restaurant in Guangzhou[J].Acta Geographic Sinica,2012,67(2):239-252.]
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|
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方嘉雯.基于文化地理学视角的秦腔文化起源与扩散[J].人文地理,2013,28(3):64-69.[Fang Jiawen.The formation and the diffusion of Qin Opera culture from the perspective of cultural geography[J].Human Geography,2013,28(3):64-69.]
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方嘉雯.基于文化地理学视角的秦腔文化起源与扩散[J].人文地理,2013,28(3):64-69.[Fang Jiawen.The formation and the diffusion of Qin Opera culture from the perspective of cultural geography[J].Human Geography,2013,28(3):64-69.]
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向岚麟,吕斌.新文化地理学视角下的文化景观研究进展[J].人文地理,2010,25(6):7-13.[Xiang Lanlin,Lv Bin.Review on cultural landscape study in the perspective of new cultural geography[J].Human Geography,2010,25(6):7-13.]
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胡宪洋,白凯.拉萨八廓街地方性的游客认同建构[J].地理学报,2015,70(10):1632-1649.[Hu Xianyang,Bai Kai,The construction of tourists' placeness identity of Barkhor Streetin Lhasa[J].Acta Geographica Sinica,2015,70(10):1632-1649.]
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